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Thread: My Music Collection Update Daily! (Dance, Trance, Rock, Pop, Electronic, Jazz,..)

  1. #5591
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    Velma Powell & Bluedays - Blues To The Bone (2018)





    Artist: Velma Powell & Bluedays
    Title: Blues To The Bone
    Year Of Release: 2018
    Label: Red Hot Recordings
    Genre: Chicago Blues
    Quality: FLAC (tracks)
    MP3 320 kbps
    Total Time: 50:20
    Total Size: 330 MB
    118 MB
    Tracklist:
    1. My Name (5:08)
    2. Nothin' But The Cat (3:39)
    3. Tell Better Lies (3:31)
    4. Blues To The Bone (6:25)
    5. Badass Blues (4:05)
    6. Stand In Line (3:24)
    7. Let's Do It Again (4:51)
    8. One Hand In Front (2:59)
    9. I Don´t Wanna Dance (4:01)
    10. Sew What (4:49)
    11. Too Late (3:07)
    12. Let's Storm This Place (4:15)
    "Blues to the bone" is born from the need that the North American artist feels to reaffirm herself in her roots and her musical heritage; Chicago's Electric Blues floods this work from the first to the last song. It is the city of Velma Powell, it is her music and the language she knows best how to handle.
    In this production there is stylistic coherence and rhythmic and sonorous clarity: this is blues of Chicago ladies and gentlemen, of the authentic. Recall that Velma is born and raised in the city of the wind, without fissures, her songs breathe the influence of great with which she is even consanguineously related: Brownie McGee, John Lee Hooker ... .but also appear among their notes the legacies of Muddy Waters , Little Walter (who plays his "Too late"), Howlin 'Wolf or Otis Rush.
    Velma Powell and the Bluedays
    The band Bluedays has had the luxury of counting for the recording with the inestimable collaboration of two musicians of international repercussion: Paul San MartĂ*n (San Sebastián) to the pianos and Hammonds, and David GarcĂ*a (GijĂłn-Madrid) to the harmonica; undoubtedly among the best and most reputable in their instruments throughout Europe.
    12 songs make up the album: eleven originals, where Velma gives us lyrics full of sensitivity and double senses characteristic of the blues, and a single version that finishes rounding the solidity of the final set.
    Strength, charisma in abundance, an unparalleled personality, a musical heritage and an overwhelming mise-en-scène difficult to see in these lands: that's Velma Powell and her new album "Blues to the bone". (From spanish)

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  2. #5592
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    Waterfront Fire - Stillwater Lake (2018)





    Artist: Waterfront Fire
    Title: Stillwater Lake
    Year Of Release: 2018
    Label: Waterfront Fire
    Genre: Alternative Rock, Progressive Rock
    Quality: 320 Kbps
    Total Time: 37:35 min
    Total Size: 86 MB
    Tracklist:
    01. Wake Up
    02. Four Walled World
    03. Ghost Town
    04. Clues
    05. Vessels
    06. Paper Wings
    07. Believe
    08. Head Full of Fumes
    09. What Went Wrong (Stillwater Lake)
    10. Sleepless Nights
    11. Fumes (Reprise)

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  3. #5593
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    Waterparks - Entertainment (2018)





    Artist: Waterparks
    Title: Entertainment
    Year Of Release: 2018
    Label: Equal Vision Records
    Genre: Pop Punk, Rock, Alternative, Post-Hardcore
    Quality: 320 Kbps
    Total Time: 33:19 min
    Total Size: 76 MB
    Tracklist:
    01. 11:11
    02. Blonde
    03. Peach (Lobotomy)
    04. We Need to Talk
    05. Not Warriors
    06. Lucky People
    07. Rare
    08. TANTRUM
    09. Crybaby
    10. Sleep Alone

    [embed]https://www.youtube.com/embed/5ZoKBdxhXpw?feature=oembed[/embed]

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  4. #5594
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    Asexuals - Brave New Waves Session (2017)





    Artist: Asexuals
    Title: Brave New Waves Session
    Year Of Release: 2017
    Label: Artoffact Records
    Genre: Punk Rock, Alternative
    Quality: FLAC (tracks)
    Total Time: 51:35 min
    Total Size: 356 MB
    Tracklist:
    01. Language Of Men 02:28
    02. So Many Miles 03:15
    03. The Fire Song 02:50
    04. World for the Taking 02:50
    05. Borderline 04:02
    06. Left Behind 03:42
    07. Dish 02:58
    08. Sunday 03:21
    09. Turn Life To A Song 02:25
    10. Precious Little 05:15
    11. Makes No Difference 02:51
    12. Alice Cooper 04:24
    13. All You Do (Is Roll Your Eyes) 01:22
    14. Loves Goes Bad 03:18
    15. Blood of a Martian 02:20
    16. Dish 04:14
    Punk rockers the Asexuals were formed in 1983 in Montreal, Canada. Guitarist Sean Friesen, bassist T.J. Collins, and drummer Paul Remington were all members of the group. A number of talented bassists served time with them off and on along the way, including Dom Pompeo, John Kastner, Blake Cheetah, and Yuri Mohacsi. In 1984, the Asexuals released a debut single and a debut album, Be What You Want, to a growing fan base that was waiting for more. The recordings received good reviews, but didn't capture the band at its very best, which happened to be on-stage before an energized audience.
    Over the next few years the group toured Canada and Europe, opening for major crowd draws like PiL and D.O.A. The Asexuals also completed a number of other albums after that debut. The last, Fitzjoy, was released through the Cargo Records label in 1997. Some of band's tunes mixing hardcore attitude with pop-punk are "Time Will Tell," "Throw Me a Line," "World for the Taking," and "Language of Men." ~ Charlotte Dillon

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  5. #5595
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    Wayne Escoffery - Vortex (2018)





    Artist: Wayne Escoffery
    Title: Vortex
    Year Of Release: 2018
    Label: Sunnyside Records
    Genre: Jazz
    Quality: mp3 320 kbps / flac lossless
    Total Time: 01:00:02
    Total Size: 140 / 386 mb
    Tracklist
    ---------
    01. Vortex
    02. Judgement
    03. Acceptance
    04. February
    05. The Devil's Den
    06. Tears for Carolyn
    07. To the Ends of the Earth
    08. In His Eyes
    09. Baku
    "Young Lions" is a term that jazz journalists used to describe the long list of straight-ahead, acoustic-oriented jazz improvisers who were born in the '60s, '70s, and '80s, and London native Wayne Escoffery is among the many Young Lions who started building his catalog in the early 2000s. Escoffery, who plays post-bop and hard bop, is a tenor saxophonist with a big, full tone; his influences on the tenor include John Coltrane, Wayne Shorter, Dexter Gordon, Joe Henderson, and Sonny Rollins, among others. Escoffery plays the soprano sax as a second instrument, and his most obvious inspirations on the soprano include Coltrane and Shorter. But whether he is on the tenor or the soprano, Escoffery has maintained a decidedly straight-ahead perspective that is quite faithful to the spirit of the Young Lions movement.
    Although he is originally from Great Britain, he has spent most of his life in the northeastern part of the United States. Born in London on February 23, 1975, Escoffery was only 11 when he left the U.K. with his mother and moved to New Haven, Connecticut in 1986. That year, he joined the New Haven Trinity Boys Choir, and it was also in 1986 that he began studying the tenor sax with saxophonist/clarinetist Malcolm Dickinson. Escoffery left the New Haven Trinity Boys Choir when he was 16, and playing jazz saxophone -- not singing -- became his primary focus. Escoffery was still in his teens when he met the famous alto saxophonist Jackie McLean, who Escoffery has described as a mentor and a major inspiration in his life; Escoffery studied with McLean (who died in 2006) extensively at the Hartt School, a performing arts school in West Hartford. After that, he attended the New England Conservatory in Boston and graduated from that institution with a Masters in 1999 before moving to New York City the following year at the age of 25. Escoffery's visibility in the jazz world continued to increase; in the 2000s, his long list of activities ranged from being a member of trumpeter Tom Harrell's quintet to playing with the Charles Mingus ghost band to touring with veteran drummer Ben Riley's Monk Legacy Septet (a Thelonious Monk tribute band). Escoffery also backed his share of jazz vocalists in the 2000s, including Laverne Butler, Mary Stallings, Carolyn Leonhart, Cynthia Scott and Nancie Banks. Escoffery's first album as a leader, Times Change, was recorded for the German Nagel-Hayer label in early 2001; a second Nagel-Heyer studio date, Intuition, was recorded in 2003. Escoffery's first live album, Veneration, was recorded in 2006 for the Savant label and was followed by a studio session for Savant, Hopes and Dreams, in 2007 with Tom Harrell. In 2009, he led the groove-based date Uptown and the collaborative Playdate (both on Posi Tone). The following year he issued Tides of Yesterday, a collection of ballads and swinging neo-bop tunes in collaboration with his wife, vocalist Carolyn Leonhart (Steely Dan). Escoffery spent the next year touring and performing with the Mingus Big Band. In 2012, he released Only Son of One, his debut album with Sunnyside, followed the next year by Grown Folks Music, and he won the 62nd Annual Downbeat Critics Poll for rising star on tenor saxophone. Two concert albums, Live at Firehouse 12 and Live at Smalls, were followed by the studio effort Standard Solo and Duet Sketches in 2016 with Avi Rothbard. Escoffery responded to the state of the nation under President Donald Trump in early 2018 with Vortex, featuring his quartet with pianist David Kikoski, drummer Ralph Peterson, and bassist Ugonna Okegwo. The set also included guest appearances from Jeremy Pelt, Kush Abadey, and Jacquelene Acevedo.

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    Wayne Talbert - Houston Nickel Kicks (Korean Remastered) (1970/2013)





    Artist: Wayne Talbert
    Title: Houston Nickel Kicks
    Year Of Release: 1970/2013
    Label: Big Pink
    Genre: Rock, Funk/Soul, Rhythm & Blues
    Quality: Flac (tracks)
    Total Time: 25:08
    Total Size: 161 Mb (scans)



    Tracklist:
    1. I Can't Take Another Heartache (Thomas, McRee, Thomas) - 2:32
    2. Wish You Were Here (Huey P. Meaux) - 2:01
    3. Summertime Love (R. Thibodeaux) - 2:39
    4. Lonely Weekends (Charlie Rich) - 2:12
    5. Put It On Me (Leo Louviere, R. Thibodeaux) - 2:56
    6. Sufferin City (McRee, Thomas, Thomas) - 2:08
    7. Your Tears Leave Me Cold (Mark Sherman) - 3:32
    8. Hello Maryanne (Ray Charles) - 2:40
    9. Lover To A Friend (McRee, Thomas, Thomas) - 1:57
    10. Nobody Loves Me (Nobody Cares) (Z. Clements) - 2:28
    Prior to joining The Sir Douglas Quintet, keyboard player Wayne
    Talbert released three solo albums. 'Houston Nickle Kicks' is his third album, originally released in 1970. The music features a tough voice and swamp rock elements. This is the first time this album appears on CD.

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    Dieter Meier - Tango For Fame (2017)





    Artist: Dieter Meier ‎(Yello)
    Title: Tango For Fame
    Year Of Release: 2017
    Label: DD Fan Club
    Genre: Synth-Pop
    Quality: mp3 / Flac (image+.cue)
    Total Time: 01:14:25
    Total Size: 182 / 488,8 Mb


    Tracklist
    1 -Dieter Meier Jim For Tango 2:42
    2 -Dieter Meier Cry For Fame 2:17
    3 -Lunatica The Edige Of Infinity 1:55
    4 -The Bianca Story Does Mani Matter 3:29
    5 -Headman (2) Gimme 4:20
    6 -Booka Shade Devine 3:53
    7 -X-Press 2 I Want You Back (Radio Edit) 3:15
    8 -Ape Quartet Push Me Up, Push Me Down 4:38
    9 -The Grid Ice Machine 3:46
    10 -O'Halloran* Hard Rain On A Tuesday Night 6:33
    11 -Jean-Michel Jarre Why This, Why That And Why? 4:02
    12 -Blank & Jones A New Culture Is Born 3:17
    13 -Georgos Dansio I Want You Back 6:10
    14 -2raumwohnung Bonjour Chérie. Nacht 4:48
    15 -Dieter Meier Down Down 2:54
    16 -Dieter Meier Es Dach Ăśber Em Chopf 2:33
    17 -Anna Rossinelli Burn This City 3:30
    18 -2raumwohnung Bonjour Chérie. Tag 4:54
    19 -You Know Who Andy 4:07
    20 -Dieter Meier Wie Die BlĂĽmlein Draussen Zittern 1:23

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    Willis Alan Ramsey - Willis Alan Ramsey (Reissue) (1972/1990)





    Artist: Willis Alan Ramsey
    Title: Willis Alan Ramsey
    Year Of Release: 1972/1990
    Label: DCC Compact Classics
    Genre: Folk Rock, Country Rock
    Quality: Flac (tracks, .cue, log)
    Total Time: 39:58
    Total Size: 233 Mb (scans)



    Tracklist:
    01. Ballad of Spider John
    02. Muskrat Love (Muskrat Candlelight)
    03. Geraldine and the Honeybee
    04. Wishbone
    05. Satin Sheets
    06. Goodbye Old Missoula
    07. Painted Lady
    08. Watermelon Man
    09. Boy from Oklahoma
    10. Angel Eyes
    11. Northeast Texas Women
    Accordion, Arranged By [Strings] - Nick DeCaro
    Bass - Carl Radle, Leland Sklar, Tim Drummond, Willis Alan Ramsey
    Cello - Cathy Pruitt
    Drums - Jim Keltner, Kenny Buttrey, Russ Kunkel, Waller Collie
    Drums, Vocals - Waller Collie
    Electric Guitar - Robert Aberg
    Fiddle - Dusty Rhoades, Tim Self
    Guitar - Eddie Hinton, Willis Alan Ramsey
    Guitar, Vocals - Charles Perrino
    Harmonica - Willis Alan Ramsey
    Piano - John Harris
    Saxophone - Ernest Watts
    Slide Guitar - Robert Aberg
    Vibraphone, Electric Piano - Leon Russell
    In many ways, Willis Alan Ramsey's debut album makes him sound like the archetypical Texas singer/songwriter; there's more than a little Guy Clark in his approach, a healthy dose of Townes Van Zandt, a dash of Jimmie Dale Gilmore, and one can hear the echoes of what Steve Earle and Lyle Lovett would draw from this music. But Ramsey's style -- an engaging mixture of cowboy poetry, post-hippie wit and wonder, and singer/songwriter introspection -- burst forth fully formed in 1972, while Van Zandt was still barely a rumor outside the Lone Star State, and Clark had yet to make himself heard on vinyl; Ramsey was at once a contemporary of the first wave of Texas songwriters, and one of the artists who blazed the trail for what would become one of the most fruitful tributaries of American roots music. While a number of artists covered material from Willis Alan Ramsey (the Captain & Tennille most famously with "Muskrat Candlelight" -- retitled "Muskrat Love" -- though Waylon Jennings, Jerry Jeff Walker, and even Jimmy Buffett fared better creatively), one listen to the album is enough to convince anyone Ramsey was as much a performer as a songwriter. The bluesy drawl and frayed edges of Ramsey's voice convey a road-worn maturity that betrayed his youth (he was in his early twenties when he cut these sessions), and his production (in collaboration with Denny Cordell) is remarkably intelligent and imaginative for someone with so little experience in the studio. From the tragic road story of "The Ballad of Spider John," the weary nostalgia of "Goodbye to Old Missoula," and the Woody Guthrie tribute of "Boy from Oklahoma," to the horny twang of "Geraldine and the Honeybee" and the goofy music-biz meditation of "Satin Sheets," Ramsey hardly makes a false move or a poorly considered gesture through the course of the album's 40 minutes. Part of the mystique that has sprung up around Willis Alan Ramsey's debut album is that he dropped from sight after recording it (due to differences with his record company and a lack of enthusiasm for the realities of the music business), and has yet to release a follow-up, and it's hard to imagine anyone who has heard it not hoping there's more where this came from. If your recording career was to be contained in a single album, though, you'd be very fortunate if it were as good as Willis Alan Ramsey.

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    Young & Sick - Ojai (2018)





    Artist: Young & Sick
    Title: Ojai
    Year Of Release: 2018
    Label: B3SCI Records
    Genre: Alternative / Indie Rock
    Quality: FLAC (tracks)
    Total Time: 17:02
    Total Size: 110 MB
    Tracklist:
    1. Ojai (04:13)
    2. The Road (03:53)
    3. Dreams (04:48)
    4. Ojai (Solo Piano) (04:08)

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    Zad Kokar - Les 3 Gueules Au Matin Du Monde (2018)





    Artist: Zad Kokar
    Title: Les 3 Gueules Au Matin Du Monde
    Year Of Release: 2018
    Label: Animal Biscuit
    Genre: Post-Punk, Noise Pop, No Wave
    Quality: 320 Kbps
    Total Time: 37:45 min
    Total Size: 88 MB
    Tracklist:
    01. La Pire Denrée Du Monde
    02. Non Verbalité
    03. Fauché Dans La Fleur De L'Âge
    04. Voler La Monnaie Sur Dix
    05. Dire Oui À Tout
    06. Transition (John Allegro)
    07. Pipi Dessus / Enfant Roi
    08. Les Trois Gueules Au Matin Du Monde
    09. Somnolence & Demi-Molle
    10. Strange Face
    11. Pity & Affection

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