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Thread: My Music Collection Update Daily! (Dance, Trance, Rock, Pop, Electronic, Jazz,..)

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    Hilary Hahn - Retrospective (2018)





    Artist: Hilary Hahn
    Title: Retrospective
    Year Of Release: 2018
    Label: Deutsche Grammophon (DG)
    Genre: Classical
    Quality: flac lossless +booklet
    Total Time: 02:15:59
    Total Size: 592 mb
    Tracklist
    ---------
    01. Mozart: Sonata For Piano And Violin In G Major, K.379-1a. Adagio (Live)
    02. Mozart: Sonata For Piano And Violin In G Major, K.379-1b. Allegro (Live)
    03. Mozart: Sonata For Piano And Violin In G Major, K.379-2. Tema (Andantino cantabile) - Var. 1-5 - Tema (Allegretto) (Live)
    04. Davidson: Blue Curve Of The Earth (Live)
    05. Richter: Mercy (Live)
    06. J.S. Bach: Double Concerto For 2 Violins, Strings, And Continuo In D Minor, BWV 1043-2. Largo ma non tanto
    07. Vaughan Williams: The Lark Ascending
    08. Mozart: Sonata for Piano and Violin in A, K.526-3. Presto
    09. Paganini: Violin Concerto No.1 in D, Op.6-3. Rondo (Allegro spirituoso)
    10. Schoenberg: Violin Concerto, Op.36-1. Poco Allegro
    11. J.S. Bach: St. Matthew Passion, BWV 244 / Part Two-No.51 "Gebt mir meinen Jesum wieder"
    12. Higdon: Violin Concerto-1726
    13. Ives: Sonata For Violin And Piano No.1-1. Andante-Allegro vivace
    14. Hahn: Godot
    15. Yun: When A Tiger Meets A Rosa Rugosa
    16. Muhly: Two Voices
    17. Vieuxtemps: Violin Concerto No.4 In D Minor, Op.31-2. Adagio religioso
    An artist portrait personally curated by Hilary Hahn, featuring tracks from the majority of albums she made as a DG artist.
    Retrospective also includes almost 30 minutes of new, unreleased material from a live concert of Mozart's Violin Sonata K379 which is new to Hilary's discography.
    The release also features new recordings of three tracks (earlier versions appeared on Hilary's "Encores" album).
    The portraits used for the cover and packaging artwork were designed by Hilary's fans; they were commissioned via her social media.

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    Huckle - Wild Blue Yonder (Korean Remastered) (1976/2013)





    Artist: Huckle
    Title: Wild Blue Yonder
    Year Of Release: 1976/2013
    Label: Big Pink
    Genre: Folk Rock, Psychedelic Rock, Southern Rock
    Quality: Flac (tracks)
    Total Time: 35:50
    Total Size: 245 Mb (scans)



    Tracklist:
    1. Wild Blue Yonder - 4:14
    2. Rolling River - 4:41
    3. I Surrender - 3:33
    4. Flower To The Sun - 6:18
    5. She's Coming Home - 3:28
    6. Beautiful You Are - 4:27
    7. High For Sky - 1:16
    8. Gather The Children - 3:42
    9. Wild Night - 4:08
    Huckle - Vocals, Acoustic, Electric Guitars, Flute, Piano
    Paul Gellman - Vocals, Fiddle, Guitar, Piano
    Wende Sinclair - Vocals
    Tom Agostino - Vocals, Bass
    Straw - Wooden Drums
    Bob Walshaw - Drums
    After his acoustic debut, Huckle recorded this album with a full band creating a fascinating mix between folk and rock. This is a favourite album for folk and roots music collectors. Extremely rare and hard to find, it has arrived up to $400 on auctions. Sometimes with an "Astral Weeks" flavour, this album combines great songwriting with an excellent freedom feeling and a very special performance.

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    Huge Andrew - Upful (2018)





    Artist: Huge Andrew
    Title: Upful
    Year Of Release: 2018
    Label: Herbcell Production
    Genre: Reggae
    Quality: 320 Kbps
    Total Time: 39:44 min
    Total Size: 91 MB
    Tracklist:
    01. Welcome 3:54
    02. Cool Rocking 3:50
    03. Strong Woman 3:48
    04. Jah Still in Control 4:07
    05. Ready, Willing, and Able 4:12
    06. World Gone Crazy 2:50
    07. Now 3:30
    08. Champion 4:57
    09. Rastafari a We Confidence 4:35
    10. Guide and Keep 4:06

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    Ivry Gitlis - Le Violon Enchanté (1996)





    Artist: Ivry Gitlis
    Title: Le Violon Enchanté
    Year Of Release: 1996
    Label: Philips
    Genre: Classical
    Quality: FLAC (image+.cue,log,scans)
    Total Time: 60:57
    Total Size: 284 Mb
    Tracklist:
    1. A. Simonetti: Madrigale - 2:16
    2. R. Schumann: Romance Op.94 N°2 - 4:30
    3. F. Kreisler: Menuet - 4:28
    4. F. Kreisler: Marche miniature viennoise - 3:25
    5. P.I. Tchaikovsky: Andante cantabile Op.11 - 5:45
    6. F. Kreisler: Chanson Louis XIII et Pavane - 4:37
    7. L. Couperin: Les Chérubins - 3:40
    G.F. Haendel: Sonate pour Violon & Clavier Op.1 N°15
    8. I. Adagio - 1:55
    9. II. Allegro - 2:55
    10. III.Largo - 1:28
    11. IV. Allegro - 2:33
    12. G. Faure: Après un rêve Op.7 N°1 - 3:23
    13. G. Faure: Berceuse Op.16 - 4:12
    14. C. Chaminade: Sérénade espagnole - 2:28
    15. Z. Fibich: Poème Op.41 N°6 - 3:44
    16. C. Daws: Mélodie - 2:53
    B. Bartok: 6 Danses populaires roumaines
    17. I. - 1:19
    18. II. - 0:35
    19. III. - 1:13
    20. IV. - 1:37
    21. V. - 0:28
    22. VI. - 0:52
    Performers:
    Ivry Gitlis - violin
    Shuku Iwasaki - piano

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    James Blood Ulmer & The Thing - Baby Talk (2017)





    Artist: James Blood Ulmer & The Thing
    Title: Baby Talk
    Year Of Release: 2017
    Label: The Thing Records
    Genre: Free Jazz, Avant-Garde Jazz
    Quality: FLAC (tracks)
    Total Time: 00:33:30
    Total Size: 209 MB
    Tracklist:
    1. Interview 08:08
    2. High Yellow 10:29
    3. Baby Talk 05:54
    4. Proof 08:58
    Free jazz has not produced many notable guitarists. Experimental musicians drawn to the guitar have had few jazz role models; consequently, they've typically looked to rock-based players for inspiration. James "Blood" Ulmer is one of the few exceptions -- an outside guitarist who has forged a style based largely on the traditions of African-American vernacular music. Ulmer is an adherent of saxophonist/composer Ornette Coleman's vaguely defined Harmolodic theory, which essentially subverts jazz's harmonic component in favor of freely improvised, non-tonal, or quasi-modal counterpoint. Ulmer plays with a stuttering, vocalic attack; his lines are frequently texturally and chordally based, inflected with the accent of a soul-jazz tenor saxophonist. That's not to say his sound is untouched by the rock tradition -- the influence of Jimi Hendrix on Ulmer is strong -- but it's mixed with blues, funk, and free jazz elements. The resultant music is an expressive, hard-edged, loudly amplified hybrid that is, at its best, on a level with the finest of the Harmolodic school.
    Ulmer began his career playing in funk bands, first in Pittsburgh (1959-1964) and later around Columbus, OH (1964-1967). Ulmer spent four years in Detroit before moving to New York in 1971. He landed a nine-month gig at the famed birthplace of bop, Minton's Playhouse, and played very briefly with Art Blakey. In 1973, he recorded Rashied Ali Quintet with the ex-John Coltrane drummer on the Survival label. That same year, he hooked up with Ornette Coleman, whose concept affected Ulmer's music thereafter. The guitarist's recordings from the late '70s and early '80s exhibit a unique take on his mentor's aesthetic. His blues and rock-tinged art was, if anything, more raw and aggressive than Coleman's free jazz and funk-derived music (a reflection, no doubt, of Ulmer's chosen instrument), but no less compelling from either an intellectual or an emotional standpoint. In 1981, Ulmer led the first of three record dates for Columbia, which helped to expose his music to a wider public. Around this time Ulmer began an association with tenor saxophonist David Murray, Bassist Amin Ali, and drummer Ronald Shannon Jackson. As the Music Revelation Ensemble, this intermittent assemblage (with various other members added and subtracted) would produce a number of intense, free-blowing albums over a span of almost two decades.
    Ulmer's work has varied in quality over the years. In 1987, with the cooperative group Phalanx (George Adams, tenor sax; Sirone, bass; and Rashied Ali, drums), Ulmer drew successfully on the free jazz expressionism that made his name. Generally, however, Ulmer's interest in out jazz waned in the '80s and '90s, to the extent that his music became progressively more structured, rhythmically regular, and (arguably) less inventive. Much of his later work bears scant resemblance to the edgy free jazz he played earlier. Nevertheless, '90s recordings with the Music Revelation Ensemble showed him still capable of playing convincingly in that vein.
    Blood dug deeply into an investigation of the blues as the century turned. First he recorded Memphis Blood: The Sun Sessions with guitarist Veron Reid both performing and producing. The album also starred veteran Ulmer sideman Charles Burnham on violin. In 2003 he issued No Escape From the Blues, recorded at Electric Lady studio. A thorouhgly psychedlic funky take on the genre, Reidand Burnham were present in the same roles once more, and old friend Olu Dara stopped into to contribute as well. In 2005 Blood released Birthright, on Joel DOrn's Hyena label. It is easily his most intimatre recording. Completely solo in the studio (Reid once again produced) it contains 10 orignals and two covers of classic reportoire and takes Blood's blues jounrey to an entirely new level. ~ Chris Kelsey and Thom Jurek



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    Akela - Brechende Gedanken (2018)





    Artist: Akela
    Title: Brechende Gedanken
    Year Of Release: 2018
    Label: Mono Repeat
    Genre: Techno, House
    Quality: 320 Kbps
    Total Time: 38:32 min
    Total Size: 88 MB
    Tracklist:
    01. Brechende Gedanken (9:34)
    02. The Ideal Boiling Point (9:36)
    03. Echafaudage en Beton (9:46)
    04. Dissolve My Space (9:40)

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    Jimmy D. Lane with Double Trouble - It's Time (2004)





    Artist: Jimmy D. Lane with Double Trouble
    Title: It's Time
    Year Of Release: 2004
    Label: Analog Production Originals
    Genre: Blues, Modern Electric Blues
    Quality: FLAC (image+.cue,log,scans)
    Total Time: 53'59
    Total Size: 381 MB
    Tracklist:
    01. What Makes People 3'31
    02. Til I Loved You 3'29
    03. Half Love 4'01
    04. Ain't It A Pity 4'11
    05. It's Time 4'17
    06. Stuck In The Middle 4'03
    07. Hand On The Door 4'23
    08. Bad Luck 5'23
    09. My Nature 4'49
    10. 24-7 2'44
    11. Bleeding Heart 10'28
    12. Salina 2'32
    Jimmy D. Lane - vocals & guitar; vocals, guitar, bass & drums on #9 & 12
    Tommy Shannon - bass
    Chris Layton - drums
    Mike Finnigan - Hammond B3 organ on #3, 6, 7 & 11
    Celia Price - Hammond B3 organ or piano on #1, 2, 4, 5, 8 & 10





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    Various Artists - Radio Hits Vol. 7 (2018)





    Artist: Various Artists
    Title: Radio Hits Vol. 7
    Year Of Release: 08-01-2018
    Label: Suanda Voice
    Genre: Melodic, Tech Trance, Progressive, Emotional
    Quality: 320 Kbps/44100Hz
    Total Time: 01:45:42 Min
    Total Size: 241 Mb
    Tracklist:
    01. Glenn Miller & His Orchestra - In The Mood 3:37
    02. Betsie Larkin - Unite (Extended Full Fire Mix) 5:46
    03. Nomosk - Black Light (Extended Mix) (Feat. Maria Milewska) 5:57
    04. Wendy Clare - Romany 2:55
    05. Attila Syah - Dark Side Of The Moon (Andy Elliass Extended Remix) 6:28
    06. Roman Messer - Closer (Steve Allen Remix) (Feat. Eric Lumiere) 5:51
    07. Maureen Sky Jones - Follow The Sun (Extended Mix) 4:52
    08. Frainbreeze - Better Day (Sunset Extended Remix) 6:36
    09. Roman Messer - Lullaby (Original Mix) (Feat. Roxanne Emery) 3:56
    10. Cari - Beat Of My Heart (Ltn Sunrise Extended Remix) 5:30
    11. Roman Messer - Tonight (Extended Mix) (Feat. Shawn Davis) 4:10
    12. Frainbreeze - Valkyrie (Extended Mix) 4:58
    13. Dennis Graft - Until (Extended Mix) (Feat. Maria Milewska) 4:57
    14. Ltn - Coconut Island (Extended Mix) 6:28
    15. Roman Messer - For You (Steve Allen Extended Remix) (Feat. Clare Stagg) 5:39
    16. Denis Sender - Collabro 2.0 (Extended Mix) 5:45
    17. Nathia Kate - The Mission (Extended Mix) (Feat. Tlaly Tovar) 5:29
    18. Ruslan Radriges - At World's End (Extended Club Mix) 4:47
    19. Ivan Khurtin - Eva (Elite Electronic Extended Remix) 5:55
    20. Armos - Higher (Ltn Extended Sunrise Remix) (Feat. Angel Falls) 6:05

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    Joe Louis Walker - Between A Rock And The Blues (2009) Lossless





    Artist: Joe Louis Walker
    Title: Between A Rock And The Blues
    Year Of Release: 2009
    Label: Dixiefrog
    Genre: Blues, Modern Electric Blues
    Quality: Flac (image, .cue, log)
    Total Time: 01:03:14
    Total Size: 505 Mb (scans)



    Tracklist:
    01. I'm Tide (3:57)
    02. Eyes Like A Cat (3:50)
    03. Black Widow Spider (4:58)
    04. If There's A Heaven (6:41)
    05. Way Too Expensive (4:23)
    06. I've Been Down (5:33)
    07. Prisoner Of Misery (4:09)
    08. Hallways (7:35)
    09. Tell Me Why (5:44)
    10. Blackjack (7:21)
    11. Big Fine Women (4:47)
    12. Send You Back (4:17)
    San Francisco blues guitar king Joe Louis Walker has been purveying his biting brand of West Coast blues since the '60s, with time off for good behavior (literally -- he spent years going "straight" attending school and playing gospel). On Between a Rock and the Blues he manages to keep one foot in the L.A. blues he grew up on (T-Bone Walker, Lowell Fulson, et al.) and the other in a more modern sound, both in his songwriting and his impassioned fretwork. On the likes of "Eyes Like a Cat" and "Way Too Expensive," Walker's seasoned band whips up a sassy, swinging, old-school jump blues feel, while "Tell Me Why" leans into a classic-sounding Chicago-style shuffle. Walker's voice, still lithe and clear at 58, rings out authoritatively over it all, and his concise, stinging guitar makes no apologies for asserting its dominion over all it surveys. An unplugged stab at Delta blues on "Send You Back" feels less convincing, but other cuts, such as album-opening "I'm Tide" [sic] and "If There's a Heaven" show off a crunchier, grittier, more rock-inflected guitar tone and a compositional sensibility to match. When Walker taps into this more modern-sounding mode, though, it's important to realize there's no pandering involved. Even though his roots go back way further, he didn't begin establishing his own sound as a solo recording artist until the '80s, so it's entirely natural for his style to have picked up some rock & roll attack along the way. Crucially, he never overdoes it, maintaining just the right balance between the understated and the in-your-face. He hasn't stopped growing as a songwriter either -- Walker's original tunes dominate the album, and they reveal both a strict avoidance of lyrical blues tropes and a knack for deftly inserting thoughtful observations in between burning riffs and gut-level grooves.

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    John Schneider, Amy Shulman, Gene Sterling - Just West Coast (1993)





    Artist: John Schneider, Amy Shulman, Gene Sterling
    Title: Just West Coast
    Year Of Release: 1993
    Label: Bridge Records
    Genre: Classical
    Quality: FLAC (image+.cue,log)
    Total Time: 01:01:15
    Total Size: 265 Mb
    Tracklist:
    Lou Harrison - Suite No.2
    01. Jahla
    02. Waltz for Evelyn Hinrichsen
    03. Threnody
    04. Sonata in Ishartum
    05. Beverly's Troubadour Piece
    LaMont Young
    06. Sarabande
    Harry Partch - Two Studies on Ancient Greek Scales
    07. Study on Olympos' Pentatonic
    08. Study on Archytas' Enharmonic
    Harry Partch - Barstow: 8 Hitchhikers' Inscriptions
    09. Today I am a Man
    10. Gentlemen
    11. Considered Pretty
    12. A very Good Idea
    13. Possible Rides
    14. Jesus was God in the Flesh
    15. You Lucky Women
    16. Why in Hell did you Come?
    John Cage
    17. Dream
    18. In a Landscape
    Lou Harrison - Six Sonatas
    19. Moderato
    20. Allegro
    21. Moderato
    22. Allegro
    23. Moderato
    24. Allegro
    Performers:
    John Schneider, guitar, adapted guitar, baritone
    Amy Shulman, celtic and concert harps
    Gene Sterling, percussion
    The seven works on the disc (two each by Harry Partch, John Cage, and Lou Harrison and one by LaMonte Young) are among of the most enjoyable introductory albums to just intonation. Guitarist John Schneider, who arranged several of the pieces on the disc for harp and guitar, is joined by harpist Amy Schulman and, in one work, by percussionist Gene Sterling. Schneider's extensive and highly informative notes guide the reader painlessly through a discussion of tuning theories and the history of the pieces.
    Lou Harrison's Suite No 2, LaMonte Young's Sarabande, and Harry Partch's Two Studies and Barstow were all originally written or later adapted by the composer for just intonation. Except for Barstow, the performances are arranged for the present combination of instruments by Schneider. The performances are gentle and atmospheric, using the unexpected scale notes -- often with certain notes being pretty far off the standard piano keyboard -- for color and drama, rather than chromaticism and chord structure.
    The only vocal work is Partch's Barstow, Eight Hitchhiker Inscriptions, intoned, sung, and played by Schneider in his reconstruction of its original version for voice and adapted guitar. Partch fans will be familiar with the later version of Barstow, with additional voices and an ensemble of Partch instruments. In this close-to-original version, Schneider finds the work grittier and less funny than in the later version. Here, the sense of desperation yet determination to carry on is closer to the surface.
    Three other works, (Dream and In a Landscape by John Cage, and Six Sonatas by Harrison) are adapted into just intonation tuning by Schneider. These non-harmonic pieces, without appreciable tonal modulation, work just fine in this manner.

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