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Thread: My Music Collection Update Daily! (Dance, Trance, Rock, Pop, Electronic, Jazz,..)

  1. #7111
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    Oren Major - Black Privilege (2018)

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    Artist: Oren Major
    Title: Black Privilege
    Year Of Release: 2018
    Label: Days Of Noah
    Genre: Rap, Hip-Hop
    Quality: m4a 256 kbps
    Total Time: 00:40:57
    Total Size: 101 mb
    Tracklist:
    01. Power (feat. Paris Cherrell)
    02. I'm Here
    03. A$$ Off
    04. Trust Nobody (feat. Louie100)
    05. Party (feat. Mocha Starr)
    06. Holy Water (feat. Wave Chapelle)
    07. Selfish
    08. Guidance
    09. Ghetto Hymns
    10. Fast Lane
    11. Tired

    [embed]https://www.youtube.com/embed/ZA-A70VKwuU?feature=oembed[/embed]

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    Oscar Benton - I Am Back (2018)

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    Artist: Oscar Benton
    Title: I Am Back
    Year Of Release: 2018
    Label: Munich Records
    Genre: Blues Rock, Americana
    Quality: FLAC (tracks)
    MP3 320 kbps
    Total Time: 40:21
    Total Size: 270 MB
    107 MB
    Tracklist:
    1. Benjamin Wilder (3:51)
    2. I Am Back (3:24)
    3. Bensonhurst Blues Revisited (4:54)
    4. Like A Howlin' Wolf (3:52)
    5. My Heart Skips A Beat (3:13)
    6. Fuzz 'n Fight (3:11)
    7. I'll Come Ridin' (2:26)
    8. My Love, Why (3:15)
    9. Blue Blues Singer Remake (2:12)
    10. Better Stop Cryin' (2:09)
    11. Brown Eyes (4:13)
    12. Old, But Happy (3:37)
    Born in 1949 Oscar Benton had a long career in the blues. His worldwide break through came when actor Alain Delon used a song, recorded by Oscar Benton, in the movie 'Pour la peau d'un flic' in 1981. Originally written by Artie Kaplan and Artie Kornfeld, the Bensonhurst Blues was recorded by Oscar almost a decade earlier. Catching dust ever since. The movie would change that instantly.
    An almost sixty year blues career, with the inevitable ups and downs, ended abruptly after an accident and a coma, causing Oscar to fight his way back, just to live a normal live. His struggle to overcome the effects of the coma resulted in a farewell concert in 2010. After this show, performing and singing were history.
    But stranger things happen. And so the love for the blues, old band members caring and a demand from abroad made the Oscar Benton Bluesband jump back on the train. In the last couple of years Oscar Benton has done shows and TV appearances in Romania, France, Turkey and the Czech Republic.
    In the days that Bensonhurst Blues was a hit record, the movie 'Pour la peau d'un flic' was forbidden in countries in Eastern Europe. People risked retaliation from the communist regimes, getting caught watching the movie.
    Today the people are free. And they welcome Oscar as a long lost friend. This inspired blues guitar player and friend of Oscar, Johnny Laporte - Barrelhouse, to start writing new songs and recording a new album. Different than the old works of Oscar. More intimate and fragile at times, but still sung with that distinctive voice.
    Oscar is having a good time, enjoys life as it comes and is well aware of the fact that this album could be his legacy. To sum it all up in Oscar his own words: I am back!

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  3. #7113
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    Paul Watkins, Huw Watkins - Mendelssohn: Works for Cello and Piano (2011)

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    Artist: Paul Watkins, Huw Watkins
    Title: Mendelssohn: Works for Cello and Piano
    Year Of Release: 2011
    Label: Chandos Records
    Genre: Classical
    Quality: FLAC (image+.cue,log,scans)
    Total Time: 62:59
    Total Size: 258 Mb
    Tracklist:
    Felix Mendelssohn (1809-1847)
    [1]-[3] Sonata No. 1 in B flat major, Op. 45
    [4]-[13] Variations concertantes in D major, Op. 17
    [14] Lied ohne Worte in D major, Op. 109
    [15]-[18] Sonata No. 2 in D major, Op. 58
    Performers:
    Paul Watkins, cello
    Huw Watkins, piano
    These works for cello and piano by Mendelssohn, like so much of his small-ensemble music, were better known a century ago than they are now. And, as usual, they show themselves worthy of revival when played competently. And they're more than competent here, with brothers Paul and Huw Watkins (shown in an amusing childhood photo in the booklet) delivering performances that are both idiomatic and clean. The Cello Sonata No. 2 in D major, Op. 58, is especially enjoyable: it's very much a chamber-size counterpart to the Symphony No. 3 in A minor ("Scottish"), Op. 56, and Symphony No. 4 in A major, Op. 90 ("Italian"), with the same kind of rhythmic, sweeping melodies. Cellist Paul Watkins gets into the crowd-pleasing spirit of these and also does well in the other works: the discursive, rather Schubertian Cello Sonata No. 1, Op. 45, the youthful Variations concertantes, Op. 17, with their structural ambitions, and the limpidly lyrical Lied ohne Worte, Op. 109 (Song without Words). Forget about the weightier cello sonatas of Beethoven and Brahms; these works succeed on their own terms. Highly recommended.

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  4. #7114
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    Augustin Hadelich - Paganini: 24 Caprices, Op. 1 (2018) [Hi-Res]

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    Artist: Augustin Hadelich
    Title: Paganini: 24 Caprices, Op. 1
    Year Of Release: 2018
    Label: Warner Classics
    Genre: Classical
    Quality: flac lossless / flac 24bits - 96.0kHz +booklet
    Total Time: 01:21:08
    Total Size: 405 mb / 1.56 gb
    Tracklist
    ---------
    01. 24 Caprices, Op. 1: No. 1 in E Major
    02. 24 Caprices, Op. 1: No. 2 in B Minor
    03. 24 Caprices, Op. 1: No. 3 in E Minor
    04. 24 Caprices, Op. 1: No. 4 in C Minor
    05. 24 Caprices, Op. 1: No. 5 in A Minor
    06. 24 Caprices, Op. 1: No. 6 in G Minor
    07. 24 Caprices, Op. 1: No. 7 in A Minor
    08. 24 Caprices, Op. 1: No. 8 in E-Flat Major
    09. 24 Caprices, Op. 1: No. 9 in E Major
    10. 24 Caprices, Op. 1: No. 10 in G Minor
    11. 24 Caprices, Op. 1: No. 11 in C Major
    12. 24 Caprices, Op. 1: No. 12 in A-Flat Major
    13. 24 Caprices, Op. 1: No. 13 in B-Flat Major
    14. 24 Caprices, Op. 1: No. 14 in E-Flat Major
    15. 24 Caprices, Op. 1: No. 15 in E Minor
    16. 24 Caprices, Op. 1: No. 16 in G Minor
    17. 24 Caprices, Op. 1: No. 17 in E-Flat Major
    18. 24 Caprices, Op. 1: No. 18 in C Major
    19. 24 Caprices, Op. 1: No. 19 in E-Flat Major
    20. 24 Caprices, Op. 1: No. 20 in D Major
    21. 24 Caprices, Op. 1: No. 21 in A Major
    22. 24 Caprices, Op. 1: No. 22 in F Major
    23. 24 Caprices, Op. 1: No. 23 in E-Flat Major
    24. 24 Caprices, Op. 1: No. 24 in A Minor
    The elegant, but impassioned musicianship of Augustin Hadelich evokes the violinists of the 'golden age' of the early and mid-20th century. Winner in 2015 of the inaugural Warner Music Prize, Hadelich now releases his first recording for Warner Classics: Paganini's 24 Caprices for solo violin. These works of proverbial virtuosity were conceived by the flamboyant Nicolò Paganini to test and showcase every aspect of a violinist's skills. As Gramophone has written, Hadelich "meets and surmounts all obstacles, yet it's not technical wizardry that most impresses but his musicianship."

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    Per Gessle - En Vacker Kväll: Live Sommaren 2017 (2017)

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    Artist: Per Gessle
    Title: En Vacker Kväll: Live Sommaren 2017
    Year Of Release: 2017
    Label: Space Station 12
    Genre: Pop Rock
    Quality: FLAC (image+.cue,log,scans)
    Total Time: 44:49
    Total Size: 678 mb
    Tracklist:
    01. På Promenad Genom Stan (3:37)
    02. Vilket Håll Du Än Går (3:20)
    03. Segla På Ett Moln (0:53)
    04. Första Pris (4:49)
    05. Min Plats (3:06)
    06. It Must Have Been Love (4:55)
    07. Honung Och Guld (med Good Harvest) (4:18)
    08. Här Kommer Alla Känslorna (På En Och Samma Gång) (2:31)
    09. Flickan I En Cole Porter-Sång (1:49)
    10. Queen Of Rain (1:55)
    11. Varmt Igen (4:41)
    12. Tycker Om När Du Tar På Mej (4:53)
    13. Småstadsprat (4:01)
    Per Gessle - acoustic guitar, harmonica, vocals
    Magnus Börjeson - bass, backing vocals
    Andreas Quincy Dahlbäck - drums
    Ola Gustafsson - pedal steel guitar, mandolin, electric guitar
    Helena Josefsson - backing vocals
    Christoffer Lundquist - electric guitar, acoustic guitar, lap steel guitar, backing vocals
    Clarence Öfwerman - keyboards
    Malin-My Wall - violin, mandolin, backing vocals

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    Phantasm - Christopher Tye: Complete Consort Music (2017)

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    Artist: Phantasm
    Title: Christopher Tye: Complete Consort Music
    Year Of Release: 2017
    Label: Linn Records
    Genre: Classical
    Quality: FLAC (image+.cue,log,scans)
    Total Time: 67:18
    Total Size: 373 Mb
    Tracklist:
    Christopher Tye (c.1505-1575)
    [1] In nomine a4
    [2] In nomine 'Trust'
    [3] In nomine 'Rachel's weeping'
    [4] Dum transisset Sabbatum I
    [5] Laudes Deo
    [6] In nomine 'Free from all'
    [7] In nomine 'Round'
    [8] In nomine 'Weep no more, Rachel'
    [9] In nomine 'Say so'
    [10] In nomine 'Follow me'
    [11] Christus resurgens
    [12] In nomine 'Cry'
    [13] Rubum quem
    [14] In nomine 'Hold fast'
    [15] In nomine 'Seldom seen'
    [16] In nomine 'Re la re'
    [17] Dum transisset Sabbatum III
    [18] Sit fast (prima et secunda pars)
    [19] In nomine 'Surrexit non est hic'
    [20] In nomine 'Believe me'
    [21] In nomine 'Report'
    [22] In nomine a5
    [23] In nomine 'I come'
    [24] Dum transisset Sabbatum II
    [25] O lux beata Trinitas
    [26] In nomine 'My death bed'
    [27] In nomine 'Blameless'
    [28] In nomine 'Farewell my good one forever'
    [29] Dum transisset Sabbatum IV
    [30] Amavit eum Dominus
    [31] In nomine a6
    Performers:
    Phantasm

    Laurence Dreyfus treble viol and director
    Emilia Benjamin treble and tenor viols
    Jonathan Manson tenor viol
    Mikko Perkola bass viol
    Markku Luolajan-Mikkola bass viol
    Renaissance composer Christopher Tye is remembered for his sacred choral music, particularly for the hymn tune Winchester Old, also known as While Shepherds Watched Their Flocks, but his instrumental works hold a special significance for being among the earliest examples of English chamber music. Tye's output has been criticized for being densely textured and loose in structure, and it has been compared unfavorably to the works of Tye's younger and more admired contemporary, William Byrd. Yet this album by the viol consort Phantasm demonstrates that Tye was capable, assured, and even daring in his contrapuntal invention and use of cross-relations for expressive effect, and it provides compelling evidence of Tye's musical sophistication. The In nomine, a form derived from the Benedictus of John Taverner's Missa Gloria Tibi, was particularly fruitful in Tye's hands, though the 21 examples on this program have a secular rather than liturgical feeling, perhaps suggesting their use as court music, far removed from any religious purpose. The other selections bear sacred titles as well, which seem to allude to underlying plainchants, though the technical difficulty of the music suggests that singing was never intended, and that the pieces were purely instrumental. Phantasm delivers polished sonorities and warm expressions, and the liveliness of the group's playing maintains interest, even though the overall mood is serious and often reflective.

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    Philippe Val - Bernadette (2018)

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    Artist: Philippe Val
    Title: Bernadette
    Year Of Release: 2018
    Label: Le Chant du Monde
    Genre: Pop, Chanson française
    Quality: FLAC (tracks) / MP3, 320 Kbps
    Total Time: 57:51
    Total Size: 342 MB / 136 MB
    Tracklist:
    1 Ouvert la nuit
    2 Pour tes semelles
    3 Vienne
    4 Testament provisoire
    5 Verre brisé
    6 Cadillac
    7 A la claire fontaine
    8 TGV
    9 Averroès
    10 Les Globe-trotters
    11 Bernadette
    12 Tout est bon
    13 L'Eau de la pluie
    14 Ils l'ont appelé New York
    15 Fragments du testament

    [embed]https://www.youtube.com/embed/Hh6_MI34fi4?feature=oembed[/embed]

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    Plainsong - Plainsong (2005) Lossless

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    Artist: Plainsong
    Title: Plainsong
    Year Of Release: 2005
    Label: Water
    Genre: Folk Rock, Country Rock, Singer-Songwriter
    Quality: Flac (tracks)
    Total Time: 01:05:13 + 01:18:45
    Total Size: 933 Mb (scans)



    Tracklist:
    Disc 1:
    1. For The Second Time - 3:50
    2. Yo Yo Man - 2:13
    3. Louise - 3:18
    4. Call The Tune - 5:22
    5. Diesel On My Tail - 2:03
    6. Amelia Earhart's Last Flight - 4:05
    7. I'll Fly Away - 2:03
    8. True Story Of Amelia Earhart - 4:32
    9. Even The Guiding Light - 4:12
    10. Side Roads - 3:29
    11. Raider - 4:38
    12. Seeds And Stems - 3:58
    13. Tigers Will Survive - 5:02
    14. Spanish Guitar - 5:29
    15. Time Between - 2:31
    16. Truck Driving Man - 2:58
    17. I'm So Lonesome I Could Cry - 2:47
    18. Wreck Of The Old 97 - 1:55
    19. I'll Fly Away (Demo) - 0:39
    Disc 2:
    1. Old Man At The Mill - 2:33
    2. Urban Cowboy - 3:43
    3. The Fault - 2:50
    4. Swinging Doors - 2:57
    5. Keep On Sailing - 4:40
    6. Miss The Mississippi - 2:51
    7. Home - 3:33
    8. First Girl I Loved - 4:03
    9. Save Your Sorrows - 2:22
    10. Nobody Eats At Linebaugh's Any More - 4:07
    11. The Goodnight Lovin Trail - 4:38
    12. All Around My Grandmothers Floor - 3:12
    13. That's All It Could Amount To - 1:25
    14. Amelia Earhart's Last Flight - 5:17
    15. Any Day Woman - 4:24
    16. Poor Ditching Boy - 3:33
    17. Even The Guiding Light - 3:19
    18. True Story Of Amelia - 4:20
    19. Raider - 5:01
    20. Miss The Mississippi - 3:35
    21. Along Comes Mary - 2:47
    22. Even The Guiding Light - 3:26
    Ian Matthews - Guitar, Vocals
    Dave Richards - Guitar, Vocals
    Andy Roberts - Guitar, Vocals
    Bob Ronga - Bass, Vocals
    Additional Musicians
    Timi Donald - Drums
    Martin Jenkins - Cello, Mandola, Mandolin
    Dave Mattacks - Drums
    Ian Matthews' post-Fairport Convention quartet Plainsong only produced two records (not counting their competent but mediocre 1995 reunion album) before breaking up in the mid-'70s, but both 1972's In Search of Amelia Earhart and Now We Are 3 -- the latter is issued here for the very first time -- contain some of the most flawless and emotional country-tinged folk-rock of the era. This eponymous two-disc set from the Water label includes both albums in their entirety, as well as numerous bonus cuts and live tracks. Matthews was blessed with one of the clearest voices in popular music, and he let it shine on the wistful Amelia Earhart. "For the Second Time," "Louise," "Call the Tune," and the epic title cut rank as some his best work, but the group's long-shelved sophomore record was not without its charms. Taken on its own, Now We Are 3 is Amelia Earhart's countrified, less successful baby brother, but the honky tonk-inspired "Swinging Doors," the Randy Newman-esque "Miss the Mississippi and You," and the sparse "Keep on Sailing" and "Old Man at the Mill" -- both of which eventually found homes on Matthews' 1973 solo release -- are top-notch productions that put the more popular and recognizable work of "Take it Easy"-era Eagles to shame. Highly recommended.

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    Pocketful 'A' Change - Change 'A' Coming (2018)

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    Artist: Pocketful 'A' Change
    Title: Change 'A' Coming
    Year Of Release: 2018
    Genre: Country
    Quality: Flac (tracks)/320 Kbps
    Total Time: 39:41
    Total Size: 101 MB
    Tracklist:
    1. Pocketful 'a' Change (4:32)
    2. Need To Know (4:01)
    3. Bottled Feelings (4:36)
    4. Alamo (2:45)
    5. Be The One (5:09)
    6. Broken Promises (4:17)
    7. Pillow Heartache (3:38)
    8. Waltz With Me (3:26)
    9. What Would They Say (3:19)
    10. Sun (3:55)
    Originated in 2008, Pocketful 'A' Change (PfAC) has lived up to its name. It has been a revolving door of members. Formed by Singer/Songwriter Walter Hugo (Jon), the band started weaving its way though the Minneapolis scene. It started as more of an electric project and has 'CHANGED' to more of an acoustic/folk/americana sound. Pocketful 'A' Change has evolved into a band that is not to be missed. We added J in 2015 and Brad has switched to a blend of mandolin and drums around the same time. The rhythm section is tight and funky. In 2016 Tina joined in on the fun playing her violin. We continue to write and develop original works and sprinkle in a cover or two. Look out 'A' CHANGE is a comin'!

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    Unumgänglich - Bis zum Mond (2018)





    Artist: Unumgänglich
    Title: Bis zum Mond
    Year Of Release: 2018
    Label: recordJet
    Genre: Rock, Alternative, Indie
    Quality: Mp3 320 kbps
    Total Time: 23:25
    Total Size: 53 MB
    Tracklist:
    1.Schrei es laut raus
    2.Gib mir mehr
    3.10 Meterturm
    4.Wiedersehen
    5.Mond
    6.Mädchen, Mädchen

    [embed]https://www.youtube.com/embed/R3HRTx9hQ74?feature=oembed[/embed]

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